[PDF.88nd] Sound Technology and the American Cinema

Sound Technology and the American Cinema

[PDF.gz25] Sound Technology and the American Cinema

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 | #2121771 in Books |  James Lastra |  2000-08-15 | Original language:English | PDF # 1 |  8.99 x.62 x5.98l,.80 | File type: PDF | 288 pages

 | Sound Technology and the American Cinema Perception Representation Modernity

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||1 of 2 people found the following review helpful.| Sound and representation|By Sidereal|This is a very well researched, well written, lucid account of how sound came to be born into cinema and how it evolved the way it did to modern sound practice. The timeline Lastra presents is crystal clear and it reveals why sound and picture had an acrimonious relationship, and the manner in which sound practice evolved.

Lastra| |"An interesting scholarly account of the rise of early film sound technologies... fascinating in its discussion of how sound practice, particularly in the accounts of film sound engineers, complicates and grounds sound theory." -- " of Communication"

Representational technologies including photography, phonography, and the cinema have helped define modernity itself. Since the nineteenth century, these technologies have challenged our trust of sensory perception, given the ephemeral unprecedented parity with the eternal, and created profound temporal and spatial displacements. But current approaches to representational and cultural history often neglect to examine these technologies. James Lastra seeks to remedy this ...

You can specify the type of files you want, for your device.Sound Technology and the American Cinema   |  James Lastra. I really enjoyed this book and have already told so many people about it!

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